Anyone else getting excited for the new 7dii?

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waterjug

Senior member
Jan 21, 2012
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The above is correct. I would add though that virtually all cameras have limited numbers of autofocus points, so if you try to shoot a small bird with a FF camera, you might not have enough AF points on it to do a good job. Whereas a crop-frame camera may have more AF points on the bird and thus do a better job of tracking it. That's part of the reason why crop frame cameras are popular among birders. There are other reasons as well, including cost and more frames per second per dollar (in some cases).


Not sure if it matters, but I only use the center point really
 

waterjug

Senior member
Jan 21, 2012
930
0
76
Yeah, technically since the sensor is bigger on a full frame body, it will use the bigger surface area of the lens at that aperture.

Say you have a 50mm f/1.4, and you take a picture like this on a FF @ 50mm f/1.4:

http://digital-photography-school.com/wp-content/uploads/2008/08/full-frame-crop-factor.jpg


The picture you get is 50mm @ f/1.4 on a full frame.

The picture you get on a APS-C 1.6x is still 50mm @ f/1.4, but after cropping the center out, the equivalent range/aperture ends up being as if I had a FF and used a 80mm lens @ f/2.24.

How does this work for getting all of a subject in focus then? So if I'm using the same lens would it matter? Like I use a 400mm 5.6L; on my T2i that's the equivalent of 640@8.96? And on a FF that would just be 400 @ 5.6....but the depth of field would be the same on both?
 

AkumaX

Lifer
Apr 20, 2000
12,642
3
81
How does this work for getting all of a subject in focus then? So if I'm using the same lens would it matter? Like I use a 400mm 5.6L; on my T2i that's the equivalent of 640@8.96? And on a FF that would just be 400 @ 5.6....but the depth of field would be the same on both?

Yes;

T2i setting: 400mm @ f/5.6
Result = 640mm @ f/8.96

6D setting: 400mm @ f/5.6
Result = 400mm @ f/5.6

Now, say you "wanted" my 6D's result; you want 400mm @ f/5.6

So, it should be something like this:

T2i setting: 250mm @ f/3.5
Result = 400mm @ f/5.6

Yeah? YEAH??!
 

waterjug

Senior member
Jan 21, 2012
930
0
76
awesome, thanks!~

edit: oooooh and that's why with FF you can have faster shutter speeds at the same F-stop....because the amount of light I would be getting on the sensor (or however it works) is actually the real F rating, not the cropped version of that.
 

blastingcap

Diamond Member
Sep 16, 2010
6,654
5
76
awesome, thanks!~

edit: oooooh and that's why with FF you can have faster shutter speeds at the same F-stop....because the amount of light I would be getting on the sensor (or however it works) is actually the real F rating, not the cropped version of that.

*shakes head*
 

blastingcap

Diamond Member
Sep 16, 2010
6,654
5
76

The 1.5 APS-C to FF multiplier is ONLY for focal length and depth of field, but the density of photons striking the sensor is the same, and the f/stop is thus the same. F/stop does not care about what size the sensor is. A small sensor does just as good as a large sensor at collecting photons per square millimeter. The problem is pixel density.

Take a 20 megapixel small sensor and a 20 megapixel large sensor. The smaller sensor might collect just as many photons per square millimeter as the larger sensor, but since it's smaller, it collects a lot fewer total photons. The smaller sensor has to spread its smaller number of photons over 20 million pixels. The larger sensor gathers more photons and spreads them over the same 20 million pixels; thus the larger sensor has more information per pixel and a better signal to noise ratio per pixel.

The reason why FF does better in low light is because you have an automatic 1 stop noise advantage vs APS-C sensors. Take a shot with a FX camera at ISO 3200 and it would look about the same as a DX camera taking the shot at ISO 1600. (This is a rough approximation and it's a little more complicated than that depending on sensor generation and other factors.)
 
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CptObvious

Platinum Member
Mar 5, 2004
2,500
1
76
Canon glass is really good bang for the buck. Good quality without paying the Nikon or Sony tax.
I think this is debatable, speaking as a Canon user. Most of the bang-for-buck lenses in Canon's lineup are older models (some that have been around since the film era) whose development costs have been fully amortized. Some of their newer lenses (e.g., IS primes, 24-70 II (both 2.8 and 4) are pretty pricey, or at least started off that way before the lack of demand forced Canon to lower prices. Some of Nikon's 1.8 primes (28/35/50/85) are newer designs than Canon's and are pretty reasonably priced.
 

estarkey7

Member
Nov 29, 2006
108
20
91
I was so excited I sold all of my Canon gear and bought a Panasonic gh4! I been shooting Canon since the Canon 10D, but I've grown tired of the price gouging and feature nurturing they do to protect their higher end video line.

Trust me, they take awesome stills no doubt. But my passion has shifted toward video and film and I know Canon will disappoint.
 

blastingcap

Diamond Member
Sep 16, 2010
6,654
5
76
I was so excited I sold all of my Canon gear and bought a Panasonic gh4! I been shooting Canon since the Canon 10D, but I've grown tired of the price gouging and feature nurturing they do to protect their higher end video line.

Trust me, they take awesome stills no doubt. But my passion has shifted toward video and film and I know Canon will disappoint.

Nice, GH4 is geared specifically for video so it shouldn't disappoint. Plus its stills are still good, too.
 

estarkey7

Member
Nov 29, 2006
108
20
91
I was glad the high ISO noise was about the same as the 60D I was moving from. It even has a better texture as there isn't much color noise at all, just a fine grain.
 

ElFenix

Elite Member
Super Moderator
Mar 20, 2000
102,425
8,388
126
The 1.5 APS-C to FF multiplier is ONLY for focal length and depth of field, but the density of photons striking the sensor is the same, and the f/stop is thus the same. F/stop does not care about what size the sensor is. A small sensor does just as good as a large sensor at collecting photons per square millimeter. The problem is pixel density.

Take a 20 megapixel small sensor and a 20 megapixel large sensor. The smaller sensor might collect just as many photons per square millimeter as the larger sensor, but since it's smaller, it collects a lot fewer total photons. The smaller sensor has to spread its smaller number of photons over 20 million pixels. The larger sensor gathers more photons and spreads them over the same 20 million pixels; thus the larger sensor has more information per pixel and a better signal to noise ratio per pixel.

The reason why FF does better in low light is because you have an automatic 1 stop noise advantage vs APS-C sensors. Take a shot with a FX camera at ISO 3200 and it would look about the same as a DX camera taking the shot at ISO 1600. (This is a rough approximation and it's a little more complicated than that depending on sensor generation and other factors.)

you're right all the way up until you start talking pixel density. it's not pixel density, pixel density is meaningless. it's area. the larger sensor for the same angle of view and f-stop is collecting more photons simply because it has more area. more photons = more signal. so the signal to image ratio is higher. per pixel signal to noise ratio is nearly useless, and is useless among sensors with similar technology.

this is really easy to see with film. talk the same portrait using a large format 8x10 camera and a 35 mm camera, then blow the 35 mm one up to 8x10. perceived noise is going to be minimal for the large format while there will be definite grain to the 35 mm.
 

blastingcap

Diamond Member
Sep 16, 2010
6,654
5
76
you're right all the way up until you start talking pixel density. it's not pixel density, pixel density is meaningless. it's area. the larger sensor for the same angle of view and f-stop is collecting more photons simply because it has more area. more photons = more signal. so the signal to image ratio is higher. per pixel signal to noise ratio is nearly useless, and is useless among sensors with similar technology.

this is really easy to see with film. talk the same portrait using a large format 8x10 camera and a 35 mm camera, then blow the 35 mm one up to 8x10. perceived noise is going to be minimal for the large format while there will be definite grain to the 35 mm.

I think we agree here; I'm just giving an example where you hold the number of pixels constant. I mean, say FF sensor is 860 mm^2, and a smartphone is what, 15 mm^2? A ratio of 57.3:1. A 36MP full frame camera translates to 0.63MP on a phone sensor. If you are ok with a 0.63MP resolution camera then you'll find the same SnR ratio per pixel. But in practice people want a lot more than that, meaning higher pixel densities, like 13 or even 16MP. That'd be like a full frame senor having 914MP, and that's why boosting ISO on those small-sensor-high-MP sensors looks so ugly.
 
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ElFenix

Elite Member
Super Moderator
Mar 20, 2000
102,425
8,388
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again, it has nearly nothing to do with the number of pixels. per pixel SnR is near meaningless.
 

Imp

Lifer
Feb 8, 2000
18,829
184
106
Grr... No news.

Rumor is that stuff will be announced when Photokina (?) starts around September 15. I don't want to wait 10 days.
 

waterjug

Senior member
Jan 21, 2012
930
0
76
Grr... No news.

Rumor is that stuff will be announced when Photokina (?) starts around September 15. I don't want to wait 10 days.

Yeah I'm getting antsy. If they don't come up with a new sensor in this thing I'm either switching to a 6D, or more likely asking for help in finding a different brand camera to use, and figuring out how to use my canon glass with it, if possible.
 

estarkey7

Member
Nov 29, 2006
108
20
91
Yeah I'm getting antsy. If they don't come up with a new sensor in this thing I'm either switching to a 6D, or more likely asking for help in finding a different brand camera to use, and figuring out how to use my canon glass with it, if possible.
I was past my breaking point when I sold my Canon 60D and went for the Panasonic GH4. I can't believe the specs don't have WiFi! That is so basic for a camera these days
 

iGas

Diamond Member
Feb 7, 2009
6,240
1
0
Yeah I'm getting antsy. If they don't come up with a new sensor in this thing I'm either switching to a 6D, or more likely asking for help in finding a different brand camera to use, and figuring out how to use my canon glass with it, if possible.
The 6D is not going to help you get better pictures, nor the 1D X/D4s.
 

waterjug

Senior member
Jan 21, 2012
930
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76
The 6D is not going to help you get better pictures, nor the 1D X/D4s.

?

I've outgrown the T2i I'm using; it's not so much limiting me as it is keeping me from getting the optic quality I want in my shots. The T2i has garbage low-light performance. Anything past 400 is virtually unusable, meanwhile the guy next to me with basically the same setup, but in Nikon is shooting at 1600 and getting less noise. Most of the birds/wildlife I'm shooting is NOT in well-lit conditions. It's warblers/vireos/small birds in dappled light, or in under-brush. Out of everyone I know using a T2i or similar, with similar glass, I'd say my shots are the best, or near it. And they're half the quality of people using 6D / 1D / 5Diii, because their lowlight performance is eons ahead of what I'm using.

If what you said was true professional photographers would be running around with T1i's still, ya know?
 

iGas

Diamond Member
Feb 7, 2009
6,240
1
0
I was thinking glass & reach is what you need more than body/sensor size. The 7Dii would give you an AF advantage over that of the T2i & 6D, and a slight advantage in noise over that of the T2i, unless Canon bestow the 7Dii APS-C with a revolutionary sensor that challenge the 5D mkiii & 1D X. And, IMHO in your case a Tamron 150-600mm would be money well spend over that of a new body (Canon 400mm f/2.8 or 600mm f/4 if have money to burn), because the 70D (possibly a similar sensor to 7Dii) isn't much better than the T2i. And, going full frame would yield similar result as a APS-C because it is likely that you would have to crop the image, unless you have expensive long lenses to take advantage of a larger FF sensor.

ISO Test 70d VS T2i

Canon T2i Imatest Results
 

blastingcap

Diamond Member
Sep 16, 2010
6,654
5
76
I was thinking glass & reach is what you need more than body/sensor size. The 7Dii would give you an AF advantage over that of the T2i & 6D, and a slight advantage in noise over that of the T2i, unless Canon bestow the 7Dii APS-C with a revolutionary sensor that challenge the 5D mkiii & 1D X. And, IMHO in your case a Tamron 150-600mm would be money well spend over that of a new body (Canon 400mm f/2.8 or 600mm f/4 if have money to burn), because the 70D (possibly a similar sensor to 7Dii) isn't much better than the T2i. And, going full frame would yield similar result as a APS-C because it is likely that you would have to crop the image, unless you have expensive long lenses to take advantage of a larger FF sensor.

ISO Test 70d VS T2i

Canon T2i Imatest Results

I agree with iGas, and yeah that Tamron is excellent for the price.
 

waterjug

Senior member
Jan 21, 2012
930
0
76
I was thinking glass & reach is what you need more than body/sensor size. The 7Dii would give you an AF advantage over that of the T2i & 6D, and a slight advantage in noise over that of the T2i, unless Canon bestow the 7Dii APS-C with a revolutionary sensor that challenge the 5D mkiii & 1D X. And, IMHO in your case a Tamron 150-600mm would be money well spend over that of a new body (Canon 400mm f/2.8 or 600mm f/4 if have money to burn), because the 70D (possibly a similar sensor to 7Dii) isn't much better than the T2i. And, going full frame would yield similar result as a APS-C because it is likely that you would have to crop the image, unless you have expensive long lenses to take advantage of a larger FF sensor.

ISO Test 70d VS T2i

Canon T2i Imatest Results


I mean, I could go for a 5Diii instead of the 6D, I've heard they're equal with regards to noise. The stuff I'm shooting is between 12 and 20 feet away from me, and I'm using a 400m 5.6L; if stuff was any closer it'd be inside minimum focus distance usually. The issue is that I have all these shots that come out so grainy they look like they're shot on sandpaper. It's awful. I can't believe a 6D wouldn't improve on this. If something comes out a bit smaller in photos, I can live with that, most of my shots have the bird/whatever filling up about 50%+ of the frame. I just need a higher quality sensor, especially in low light. The T2i is virtually useless in that situation
 

iGas

Diamond Member
Feb 7, 2009
6,240
1
0
If that the case then, might as well step up to a FF body, and save your money for a long fast lens. As for me, I would get the lens first before I get a body.
 
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