Yes, because I hate old people, totally. Many actors improve with age; Harrison Ford has not. The last time he was even nominated with an award worth a shit was the nineties, and since then his work has been littered with cash-grabs. Hey, he'll be 78 when Indy 5 is due! Most actors would think that this is about as appropriate as if Sean Astin wanted to do another child role, and I could understand it if Harrison Ford was broke, but he's not.
Ridley Scott has done some great films, but unfortunately directors don't tend to improve much with age and definitely seem to have a 'sell by date'. IMO they have the tougher (toughest in film-making?) job of creating/arranging all the facets (and the work of many different people - all with their own ideas) of a creative vision into a coherent piece of art. Unfortunately I think the reason for directors having this 'sell by date' is that they have to juggle all of this, sometimes baby-sit awkward actors and placate / baby-sit the production company while trying to balance between their artistic vision and the budget, and I think it eventually turns them into managers rather than artists. I wouldn't mind so much if all this meant was that directors who were once remarkably good then became 'competent yet nothing new', but trying to ride the old bones of a past success is likely either a) to placate their ego, b) a cash-grab, or a mix of the two. Since you mention 'Prometheus', look at the Prometheus thread on this forum: Over 1000 replies. The 'Covenant' thread has about a tenth of that. From one of the guys who elevated sci-fi to a new level, expectations were generally at least as high as "make something as good as Alien", and possibly as high as "show us where sci-fi is going to go next", and instead we got 'Prometheus'. By the time 'Covenant' came along most people here didn't give two craps what Ridley Scott thinks. Personally I think it's really sad that he couldn't be content with past successes and the respect that goes with that; furthermore I'd like a genuine, honest answer from the film makers of Bladerunner 2049 as to why this sequel is needed. Even an answer 'after the fact', e.g. two years after this film's release so to avoid spoilers would be fine with me.
My opinion isn't meant to be anything but that, and the only reason I've responded to you again is that IMO you've misrepresented my views here. I think the only remaining mystery here is why you continue to have a problem with my opinion, so instead of being insulting and trying to come back with retorts for the sake of it, honestly answer my question: Why do you have a problem with my opinion? You've apparently highlighted everything that you didn't like me expressing, but for someone as invested as you are in this, you've assumed an awful lot (mostly incorrectly) about the basis of my opinions. Furthemore, I have no problem with Hollywood making money, I just think for an industry that is supposed to be built on art, their business model seems very cloned and designed to fit in neat little packages and the respective pigeon-hole audiences, and the only critically decent results are almost like accidental byproducts as far as the industry is concerned.