I have no problem with artists, studios making a buck, and their right to protect their product.
Well to honest the people that actually make the 'content' (irritating word) have to surrender their copyrights to teh big studios in order to get paid. Most of them accept this trade off.
but not
all of them
We also have situations were studios, especially music, sit on artists and get people into contracts were they don't make any money from what they do.
For example it's common practice to get new bands to sign deals in which they are required to make a certain amount of albums for the studio.. But the studio people don't want them to make the ablum, the studio people feel that they can't make money off of them so they don't bother producing anything. The reason they signed them to the label in the first place is simply to prevent other studios from signing them. No joke.
So from a moral standpoint it's not like the RIAA folks or the other folks are being fair to anybody. They don't actually make music, they don't actually make movies. They purchase the rights to distribute the music and movies and such and often they are very very dishonest about what they do. They have the system rigged both ways so that they effectively rip of the artists and then turn around and try to rip off the consumers.
These aren't any more honest or honorable then the pirates they are trying to fight against.
That is the real reason for this DRM and rights and licensing and such. It's not to protect themselves from piracy (which is a pointless excersize for the most part. With digital media only one copy needs to be compromised then the pirates can have as many copies as they want).
But the true purpose is to control the distribution channels.
These guys and their corporations were brought into existance for a very good reason.. And that reason was because from the 1930's to the 1990's the cost of producing, promoting AND distributing copies of media was so expensive that no single person or group of artists could do it.
The airwaves are tightly controlled by the FCC, which only let very select group of citizens (which have enough money to buy their way into it) be able to distribute radio and television signals.
The costs of doing cable TV and distributing content that way was considurable. Just imagine how much work and money it takes to setup sattalite communications and television stations with those huge cameras and all sorts of very complex electronics.. not to mention paying the government enough money to let you use the radio waves and setting up a transmitter. All of that you had to do in the previous decades.
The costs of setting up a music, television, or movie studio was also enourmous.
The costs of advertising it, and then dealing with manufacturing proccess to produce the content and then transport it and setup store fronts and all that was huge.
So they provided a very important role of standardizing how the media works and making it possible for people to hear and sell visual and audio based media.
So to do this you ended up with very big businesses which had to deal with a lot of money just to do basic stuff. Big corporations and everything.....
But nowadays how much does it cost to setup a podcast?
You get a few people together, spend maybe 15-30 thousand dollars on decking out somebody's basement with some foam and such to get good aucoustic environment and setup a few computers and some good quality digital recording equipment and your set. Now you have as good as a studio as about as good as anybody had access to for the past 60 years.
And the cost of distributing the content is the cost of internet access. You have the ability to distribute that stuff to a 1000 times as many people as CBS or ABC ever had access to in the 70's.
When the artists don't need the studios to produce music and consumers don't need studios to access music then what does anybody need studios for? Essentially your seeing with this DRM crap a multi billion dollar industry seeking to find a way to justify it's own existance.
Within the next decade you'll see the costs for producing video dropping down to middle class affordability also.
People are beginning to figure out how do deal with that also.
For example check out "Channel 102"...
They have some funny stuff going on.
http://www.channel102.net/show.php?show=2
You send them a MinDV tape, they put it in front of a audiance with a bunch of other people's videos and then that is how they figure out if they are going to help fund you to produce shows.
The main barrier right now is the cost of bandwidth.
All sorts of stuff.
Real internet TV
I will not upgrade to Vista, or to a HD or Blue Ray DVD player until this is sorted out.
I'll upgrade to HD-DVD or Blueray when they sort each other out and the cost of getting a burner drops down to under 150 bucks or so.