This thread is intended as an appendix to xtknight's comprehensive and well-organized "LCD Thread." (Thanks, Knight.)
Professional writers, of course, care most about the appearance of text. For many of us, the Sony CRT's were perfect -- well-formed letters, white background that didn't sparkle or screen-door or create fuzz.
I moved to two Sony HS75P's on a Matrox P650. Recently one of them died. My choices -- find a used 17-inch Sony replacement or move up the technology tree to new panels.
Issues:
1. Resolution and dot pitch. On a 20-inch wide it has to be 1,680x1,050 with .258 DP. Produces excellent text. On a 20-inch 4:5 it should be 1600X1200 .255.
2. Screen surface. Here's the rub. Glossy is great for text, but it really limits your choices: HP, two NEC wide models (both with lousy specs) and two standard models with equally lousy specs [If anyone knows where I can get a 20WMGX2 please yell], Acer Ferrari (20"), the Samsung Syncmaster XX32 series (unmountable), one 22" LG with average specs.
Non-glossy screens. The problem is screens that lather on the anti-glare coating. As xtknight points out, there's no way to compare the relative "fuzziness" of these coatings, though he does advise, in general, avoiding Dell, Apple, and Eizo screens, which tend to be fuzzy. (Alas you can add the HP 2065 to this; it's like looking through depression glass when you have a white background up.) So the question is: which 20-24 inchers, wide OR standard, have the least amount of screen coating, gray fuzziness when a white background is up?
3. Sharpness adjustment. I'd settled on the HP W2007 until I discovered you can not adjust the sharpness. Tried both VGA and DVI connections on this model at the store and neither would yield that OSD menu choice even though the manual indicated some models should. HP tech support useless on the issue. Sharpness is important. Staring at letters all day, you can ease the eye strain a bit by taking a bit of jaggedness off glyphs with this setting. Not all panels have it.
4. I've tried to determine a difference in S-IPS, PVA, TN panels for writers, but I don't think it makes any difference. Key are the other variables -- glossy or non-reflective coating rather than the fuzzy anti-glare coating, resolution, pitch, sharpness, mountablity for a two-monitor setup.
Any thoughts would be appreciated.
Professional writers, of course, care most about the appearance of text. For many of us, the Sony CRT's were perfect -- well-formed letters, white background that didn't sparkle or screen-door or create fuzz.
I moved to two Sony HS75P's on a Matrox P650. Recently one of them died. My choices -- find a used 17-inch Sony replacement or move up the technology tree to new panels.
Issues:
1. Resolution and dot pitch. On a 20-inch wide it has to be 1,680x1,050 with .258 DP. Produces excellent text. On a 20-inch 4:5 it should be 1600X1200 .255.
2. Screen surface. Here's the rub. Glossy is great for text, but it really limits your choices: HP, two NEC wide models (both with lousy specs) and two standard models with equally lousy specs [If anyone knows where I can get a 20WMGX2 please yell], Acer Ferrari (20"), the Samsung Syncmaster XX32 series (unmountable), one 22" LG with average specs.
Non-glossy screens. The problem is screens that lather on the anti-glare coating. As xtknight points out, there's no way to compare the relative "fuzziness" of these coatings, though he does advise, in general, avoiding Dell, Apple, and Eizo screens, which tend to be fuzzy. (Alas you can add the HP 2065 to this; it's like looking through depression glass when you have a white background up.) So the question is: which 20-24 inchers, wide OR standard, have the least amount of screen coating, gray fuzziness when a white background is up?
3. Sharpness adjustment. I'd settled on the HP W2007 until I discovered you can not adjust the sharpness. Tried both VGA and DVI connections on this model at the store and neither would yield that OSD menu choice even though the manual indicated some models should. HP tech support useless on the issue. Sharpness is important. Staring at letters all day, you can ease the eye strain a bit by taking a bit of jaggedness off glyphs with this setting. Not all panels have it.
4. I've tried to determine a difference in S-IPS, PVA, TN panels for writers, but I don't think it makes any difference. Key are the other variables -- glossy or non-reflective coating rather than the fuzzy anti-glare coating, resolution, pitch, sharpness, mountablity for a two-monitor setup.
Any thoughts would be appreciated.