The songs here are expertly crafted, factory tightened and polished as a brand new Hibachi grill. But they lack the multiple choruses, complex jazz/folk structures and the distinct highs and lows that longtime fans have come to expect from DMB?s composition. Matthews doesn?t string together near impossible lyrical lines as in ?#41? and ?The Stone? and last year?s new crop of meaty songs: ?Crazy Easy?, ?Sugar Will?, ?Joy Ride? and ?Hello Again?, are either absent or here in short order form. This may come as a disappointment to long time fans who are ardent to watch a lean ?Two-Step? that still manages to top out at 9 minutes with no jamming (Boulder citizens, nod your heads.) But the good news is that everything about Stand Up feels gloriously new and bold, often unapologetically so.