So, Zardoz.
mixed feelings on this one. And also, my memory seems to have both omitted much, and, probably edited the beginning half of Zardoz with the second half of .. uh .. Logan's Run ? Yeah, the ice robot.
Anyway.
Zed is a post-apocalyptic barbarian, an Exterminator. He and few others like him worship this huge, flying, stone talking head, who supplies them with guns and orders them to kill indiscriminately.
Later on it is shown that the Exterminators do not just kill, but also enslave the population, the "Brutes", for their food production.
Zed is a clever Exterminator and one day he grows curious enough, and stows away on the flying stone head. He is taken to a typical 70s english cottage, where he finds a commune of hippies.
The hippies are Eternals, and have a host of various invisible powers, including immortality.
Zed generates interest in the Eternals, for various reasons, and during his interactions with them the plot is explained. Mankind attempted to reach a state of perfect existence, and while few have attained immortality, most have died, and what was left of society collapsed. The few Eternals who survived have isolated themselves into areas called Vortex, which isn't fully explained, but appears to be some combination of force field and stealth field. A particularly clever Eternal devised the flying head-god, to keep the non-Eternal population in check and to make sure Eternals did not have to work.
There is a subplot that involves the mediocre form of immortality that the Eternals have, which causes some of them to fall to excessive boredom into complete apathy.
There is much bad to say about Zardoz.
The most evident problem is that most of the film takes part in the cottage, and what you got is a commune of hippies with they' boobs out, waving their hands as if to conjure magik-crystal powers, and this looks ridiculous.
There is some actually acceptable dialogue, and the plot makes even sense, but there are no special effects, costumes, props or scenery to support this.
Connery's acting goes from near-mute (which is ok, he's a mindless barbarian) to overexagerated emotion, and while the latter might even be context appropriate, it tears the screen wall, being excessive compared to everything else that is going on around him.
So, it's not that it's bad, it's that it's not convincing.
Boorman's exterior shots are as always great, the ... ok so .. the original teathrical release begings with the fog and the arrival of the stone head. Because Boorman really wanted to drive home the idea that this film is shit, he later added a scene where Niall Buggy (Zardoz), or rather, his "severed" head, with SUPER OBVIOUS black board under his neck, wearing a horrid pencil-made fake goatee and moustache, floats around the screen to give a speech that both ruins a good bit of the plot, and serves no purpose aside from explaining taht you should prepare yourself for one of the shittiest films ever made.
Zardoz reminds me a lot of a similar product, the TV show "The Prisoner". Here too the set is just a normal place, with normal people, where the audience is asked to pretend that they are something more.
I mean .. they had a big-ass beach ball pretend to be a supernatural entity. Come on.
The initial concepts of Zardoz are still somewhat salvageable, and it would probably be one of those films that actually becomes better through a reboot.
You got a fish-out-of-water protagonist. Zed is an outsider to the Eternals, but later the plot reveals he is an outsider to the Exterminators as well - he has inherited the pre-war genetic makeup that makes him as smart as the Eternals, without succumbing to apathy.
Zed infiltrates the Vortex and he is mocked for being inferior, while at the same time stirring us the repressed sexuality of the Eternals who can no longer have sex. As he punches and fucks his way into the respect of the Eternals, the plot is revealed: succumbing to apathy, the immortal Eternals can do nothing but eat and exist. A living graveyard is shown of Eternals who cannot die, but have aged horribly and exist in a state of living death.
in disgust, Zed breaks the barrier that holds them safe into the Vortex, with the Eternals embracing death as an better alternative than meaningless life. Zardoz is destroyed and the world will beging again to repopulate and maybe return to its former beauty.
None of the weird ESP powers of the film have to remain.
See, the script isn't complete trash, and with a decent director, you can make a good post-apocalyptic film out of it - certainly better than the A Boy & His Dog film adaptation. But good god, Boorman just kept taking liberties with the suspension of disbelief, where by the end of the film you feel like you have been made a fool of.
Zardoz is absolutely worth watching for everyone. It absolutely does deserve its cult film status, as it is such an outrageous product, and one that at no point can you raise your finger and say THAT IS BAD. No, even Sean Connery in red underwear being made to drag a buggy as if he were a horse, even at that point you can't say if you are watching a disaster, or art.
My vote: 7 Zardoz out of 10 Zardoz.
Edit: you should know that Boorman is the mind behind the incredible Excalibur (1981), and a host of other good films, including several who were award-nominated.