making the best in poor conditions is at best the worst that can happen in digital photography. Remember back in the day of film? Most photographers will agree that slide film produces the most accurate colors to what the naked eye can see. That's why when you purchase 35mm film, there are a few film to choose from! Each in which react to light in a different way, and also, requires different chemicals to be developed.
Obviously we can compare "photoshopping/post-processing" (such as color correction) to what we use to do in the darkroom (for whatever we can do to the enlargement).
In digital photography, we are stuck with one sensor, and that sensor reacts to light in a single way. Sure, we have processors in the camera to calculate what colors should come out, but in the end, when we record raw, it's exactly how the light falls onto the sensor: Sometimes muted colors, default white balance, and (depending on glass) soft edges. At times, we'll also get poor contrast (depending on the lighting conditions) But at best, you'll achieve an "average color" that almost 100% of the time, needs color correction for that extra "wow" factor.