- Jun 17, 2001
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Who would it be?
For me, Adam Jones > *, but I do love Frusciante's tone(s) and Gilmour's
how gangster is that.
For me, Adam Jones > *, but I do love Frusciante's tone(s) and Gilmour's
Barresi explains guitarist Adam Jones' recording setup: ?Adam mainly runs three amps: He has a Marshall that he loves, a Diezel and then he was using a Mesa Boogie at one point. I brought in a Bogner Uberschall head and a Rivera Knucklehead Reverb, and several other things. Then we just experimented with combinations of heads and cabinets until it worked for the song. Most of the 4×12s were Mesa Boogie cabinets, which are superior for their low end, except for the Marshall head, which went through a Marshall cabinet, and the Rivera went through a Rivera cabinet. I usually used stock miking. For me, that's a Shure SM57 and a Sennheiser 421 on every cabinet. The third mic could be anything that I felt the sound needed more of.?
The signal chain for tracking guitar was a bit complex. ?Adam would play into whatever pedals he needed,? Barresi says. ?That signal then went into a Systematic Systems Splitter. Then it would go to between three and five heads. The signal from the heads went to their own individual cabinets. Each cabinet had two or three microphones on it. Then all the microphones came back to the console, and they were blended down as separated for each amp. The Diezel amp went to its own track. The Marshall amp went to its own track. The third track was a blend of the Bogner and the Rivera, or whatever I liked for the song. And that would be one take ? three tracks of guitar.?
how gangster is that.